portico: (Default)
In my eternal quest to know about more queer architects, i heard Horace Gifford's name a few times, enough that i added him to the roster of people i hunt for books about in secondhand bookstores. i never seemed to find anything, so i finally looked online (my preference is to stumble across things serendipitously, but sometimes action is required) and discovered the problem: there is a single book about gifford, and despite only being 10 years old it is wildly out of print. like, copies priced at $500 out of print. so, i did the next best thing and requested a copy via ILL.



gifford was active on fire island (primarily in the Pines) for 20 years, throughout the 1960s and 70s. he established a vernacular architecture in a place which previously had been home to modest beach shacks. he was gay, and handsome, and died tragically of complications due to AIDS in 1992. much like in the case of perkins harnly, that we have any record of gifford at all aside from his houses is due to one person's willingness to hold onto his papers. sometimes i think about how many people who died during that era who will surely be forgotten by history and i'm overwhelmed. i'm so glad that horace gifford wasn't one of them.

fire island modernist is wonderful. )
portico: (train)
Amaza Lee Meredith was born in 1895 in Lynchburg, Virginia, and went on to establish the arts department at Virginia State University (an historic Black college/university in Peterburg) and build the only "international style" home in virginia. i first learned about her from the new angle voices podcast, and as a queer virginian and house architecture enthusiast was immediately desperate to know more. so i read Amaza Lee Meredith Imagines Herself Modern: Architecture and the Black American Middle Class by Jacqueline Taylor.

this was taylor's first book, and it's based ( i believe) on her dissertation, although she also contributed a chapter about meredith to a book called Suffragette City about women's contributions to the built environment. i'll be interested to read that piece, because although meredith left her archives to VSU, which includes letters and plans, she left behind absolutely no writing (aside from scrapbooks and sketches) about her home or the homes she planned/built in Sag Harbor, NY. this resulted in a book that is very strong in its chapters about meredith's growing up and schooling years (of which there were many, as she went to college for a teaching certificate, then later a BA and, subsequently, an MA in arts education) and the state of education theory and opportunities available to upwardly mobile black people in the early 20th century. this was fascinating and extremely well-researched. unfortunately, i was much more in it for the houses.



Read more... )
portico: (su connie star eyes)
earlier this month, my coworker who knows of my obsession with architecture sent me a link to a podcast about three women architects. i enjoyed it, looked for more, and discovered that it was actually comprised of excerpts of three longer podcast episodes which were part of a series called New Angle: Voice, which is produced by the Beverly Willis Architecture Foundation, devoted to supporting and highlighting the contribution of women to the american built environment.



they've put out 2 seasons of 5 episodes each of the podcast. i gobbled it up. the basis for each episode seems to be the woman's entry in the BWAF's Pioneering Women website, which is itself a fantastic resource. the podcast, however, is fantastically edited and includes interviews with the architects' colleagues, students, and children, as well as the many people who were personally inspired by their work. i was particularly impressed with the cross-section of women they've highlighted thus far. there's julia morgan, of course, who is something like the godmother of american women architects (she built hearst castle, as well as much of post-quake berkeley), but also norma sklarek, a black woman who is little known outside of architectural circles because she served as a project manager rather than a flashier, fame-making design architect. this was primarily due to the one-two punch of sexism and racism, but--as is mentioned again and again on her episode--she was one hell of a project manager.

the most exciting discovery for me personally was amaza lee meredith, a queer black woman from lynchburg, virginia, who designed the only international style house in the commonwealth. it's very near me and i had never heard of it, or her. i have a book about her in my possession now, so i'm sure i'll be back with more information.

i really enjoyed that they didn't just focus on women like morgan and natalie de blois (who designed major park avenue skyscrapers), but also on people like meredith and anna wagner keichline, who mainly designed houses (keichline also patented several devices, mainly for use in early 20th century kitchens). my architectural interest lies in houses, and as much as i enjoy learning about the work of architects who are under-represented in the field, my heart lies in the house.

i highly recommend the podcast for anyone interested in learning about women architects, but if podcasts aren't your speed, the pioneering women site is fantastic. each entry includes a very well-researched essay, as well as a list of the architect's projects.

portico: (phryne tea)
 i saw Broken Glass: Mies Van Der Rohe, Edith Farnsworth, and the Fight Over a Modernist Masterpiece (affiliate link) by Alex Beam on a shelf in the MoMA bookstore in fall 2022, but did not pick it up both because i like to order things from my local bookshop, and because lingering overlong in museum gift shops is one of my great vices so i'm sure i was running very behind on my museum visitation schedule. anyway, i got home, ordered it from my bookshop, and it's been sitting on my bookshelf ever since. i took it with me last saturday to my introvert date with my friend/coworker (we sit in a coffee shop together for a few hours, read our own books, and occasionally chat--it's a great time and i highly recommend it), and found it so absorbing that i finished it the next day.

i was previously aware of mies van der rohe, first as a furniture designer (courtesy of chair school--which it's worth noting did not teach me about lilly reich's contributions to mies's design work), and only later as an architect (i used to walk past his MLK Library in DC everyday). i knew nothing about mies as a person, beyond that his first name was actually ludwig--not mies (and it turns out i was wrong about that). as a devotee of house architecture in particular, i knew of the farnsworth house, but did not know about dr. edith farnsworth or the DRAMA that unfolded as the house neared completion.

beam set out to write this book in part because nobody else knew, or seemed to care, about edith farnsworth. she ultimately doesn't come out of this looking terribly good, but every single architect mentioned looks FAR worse.
Read more... )

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